Press

"Admirable in naturalness, evident in simplicity, Jenny Daviet's Mélisande will be a big surprise, which cleans up all fragility but not ambiguity."

Jean-Charles Hoffelé

L'avant-Scène Opéra

Pelléas & Mélisande DEBUSSY

Opéra de Malmö - BelAir Classique

“The soprano Jenny Daviet shone with flawless ease…”

KӦLNER STADT-ANZEIGER KӦLN

Gala Offenbach

FX ROTH - Philarmonie de Berlin

Gürzenich-Orchester Köln & Les Siècles

“Sweet & serious, Jenny Daviet’s Mélisande, possesses two big worried blue eyes and a meaty soprano.”

François Laurent

DIAPASON

Pelléas & Mélisande DEBUSSY

Opéra de Malmö - BelAir Classique

"We feast on Marc Mauillon's clear Pelléas, Jenny Daviet's fresh Mélisande, Laurent Alvaro's disturbing Golaud...

Jenny Daviet delicious Mélisande, in a Setting like Jacques Demy." 

Sophie Bourdais

TELERAMA

Pelléas & Mélisande DEBUSSY

Opéra de Malmö - BelAir Classique

"The Soprano Jenny Daviet doesn't have an intervention outside the quartet either, it's a shame because she shows a sweet voice but projected, with accuracy, on a strong technique." 

Emmanuel DEROEUX

OLYRIX

IXe de BEETHOVEN - FX ROTH - Les Siècles

FESTIVAL DE LA CÔTE SAINT ANDRE

“The Mélisande of Jenny Daviet is near ideal, in voice and appearance, and consistently provides the loveliest singing in the performance, including the upper reaches of her song ​‘Mes longs cheveux descendent jusq’ua seuil de la tour’ that opens Act III, scene 2”

MUSICWEB INTERNATIONAL

Pelléas & Mélisande DEBUSSY

Opéra de Malmö - BelAir Classique

“The slender, firm and flexible voice of Jenny Daviet can easily compete with the accompaniment in the Hercules Hall… With expressive gestures, which also capture her singing, she imaginatively presents the lyrics, transforms the language into music and thus creates a dreamy, ecstatic atmosphere. It is quite possible that the composer, if he could have heard that, would change his preference on the casting of this piece — and henceforth would have wished for a singer like Jenny Daviet.”

ABENDZEITUNG MÜNCHEN

Poèmes pour Mi - MESSIAEN

Kent NAGANO - Herkulessaal, MUNICH

Symphonieorchester des Bayerischen Rundfunks

“The same can be said of Jenny Daviet’s Mélisande, clean tone, vibrant timbre, teeming with teen femininity. We find here a role as adapted to her voice as her usual Mozartian repertoire”

Pierre Flinois

CLASSICA

Pelléas & Mélisande DEBUSSY

Opéra de Malmö - BelAir Classique

“Jenny Daviet as Mélisande is captivating in her innocence and she sings quite beautifully throughout… she is rather perfect for the role, matching the character’s often detached manner.”

CLASSICAL NET

Pelléas & Mélisande DEBUSSY

Opéra de Malmö - BelAir Classique

"Jenny Daviet incarnates Mélisande, a small, wounded, cold thing…Her voice is in perfect harmony with the character, as written by Debussy and displayed in this staging: she shows all the frail and fragile but with assured technique."

Charles Arden

OLYRIX

Pelléas & Mélisande DEBUSSY

Opéra de Malmö - BelAir Classique

“the young soprano Jenny Daviet keeps her promise as Serpetta and her charming ​“Chi vuol godere il mondo” is well projected and full of delicacy.”

FORUM OPERA

La Finta Giardiniera MOZART

Opéra de Rouen